28 September 2011
I've spent the better part of three (non-consecutive) days, recently (including today) working on White Widow. It's coming along nicely (if I can be forgiven for saying so, myself) and I've been thinking quite a bit about what this painting means.
I've never intended the spider paintings to be scary (any more than actual spiders intend to be frightening...hmmm), and Liora has remarked several times that this painting looks more and more "beautiful", the longer I work on it. So, I'm beginning to seriously consider what it might mean, to depict spiders as "beautiful".
Further, White Widow represents only one approach to painting "beautiful spiders". I have another, different idea in mind, which I plan to explore in still other, future paintings.
And, those paintings might lead to still other ideas (and I certainly hope they do!) other ways to explore "beauty", and what it--and it's opposite--mean, and can mean.
I spent many hours during the second semester of my juniour year at KCAI (Spring 2006) discussing "meaning" in art with my instructor, Marcus Cain. Specifically, we talked about what my art meant (at the time), and Marcus gave me a great deal to think about with regards to what my work might come to mean.
It was with Marcus' encouragement (and guidance) that I first began "exploring" spiders, in both sculpture and in painting. I felt then that I was only beginning to understand, in the smallest way, what my work might possibly be able to "mean".
I am starting to feel, now, that I'm finally "back" to where I was at the end of my juniour year at KCAI (Spring, 2006).
And ready to move forward...